Spot 10 MUMIA by Diego Akel - call for entries

10˚ MUMIA – UNDERGROUND WORLD ANIMATION FESTIVAL - REGULATION AND ENTRY FORM

10˚ MUMIA – UNDERGROUND WORLD ANIMATION FESTIVAL

BELO HORIZONTE - BETIM – NOVA LIMA 05 to 31 of October / 2012 - BRAZIL



Exhibition places: Humberto Mauro Cinema – Palace of Arts, Belo Horizonte Cultural Center, Casa do Baile (Houseof Ball), Joaquim Pedro de Andrade Cineclub, Uma Tela no Meu Bairro Cineclub,Sabotage Cineclub, Luis Bessa Public Library, UNA House, C.A.S.A (Armatrux Artistic Company), PUC São Gabriel, Nada- Undió Shop, SESC Palladium – (Betim’s City Hall Auditorium).

Extra Screenings / Special Programme:Teófilo Otoni, Sabará, Vespasiano e Ribeirão das Neves. (November / 2012)



TALKS + GUESTS + BOOK RELEASE +RETROSPECTIVES + PREMIERE OF THE DOCUMENTARY ABOUT THE MINAS GERAIS’ PRODUCTIONOF ANIMATED FILMS + PARTIES



The best of the world animated filmson Minas Gerais’ screens.



FREE ENTRANCE

Objectives:

MUMIA aims to broaden the spaces of imagination and possibilities of anew speech on art, of a new way of sensing the world and also a new way ofexpression, amid giving support to the brazilian cinematography culture bycreating room to the emerging of new audiences, producers and directors.

Films and vídeos produced without any kind of support, no money at allor even those which caused loss to its producers and other ones made with verylow budgets are very well accepted too.



Organizers:

MUMIA, a competitive festival, is ainiciative of brazilian animators in cooperation with Betim City Hall, BeloHorizonte’s Incentive Law of Culture,, ABCA, SESC Palladium, Leite Filmes,Pimenta Filmes, Sinpro Minas and IT Films, Comunication and Entertainment, UNA Universitarian Center, Oficina de Imagens, Mucury Cultural, Casa Fora do Eixo.



Purpose:

The purpose of MUMIA is to promotethe cultural production of animation films and videos, contributing to itsdevelopment as an artistic language, specific format and production method. The Festival alsoaims to offer the local audience the access to the national and internationalanimation production beyond what is currently available through commercial outlets,traditional production houses or film institutions.


REGULATIONS

Chapter I

Purpose

MUMIA – Underground World AnimationFestival – is focused in promoting recent animation short films, incentivating inovation and creativity.


ChapterII:
Registration

2.1 - TheFestival is opened to national and international animated films of any formatand any lenght, completed after 2000, on DVD (NTSC),regardless of the original format.

Internationalproductions should include credits and complete dialoguelist.

Each director can submit more thanone film or video, but must submit each of them with separate entry forms,although the films or videos can be sent all together in the same DVD.

Videos made in different worlds willbe very well accepted too.


2.2 - Registrationforms, DVDs and all the adicional information must be sent by May 31st 2012(postmark) to the Festival adress:


10˚ MUMIA – Centro Universitário UNA- Campus Liberdade

Rua da Bahia, 1764

Lourdes

Belo Horizonte – MG

30160-011

Brazil

Tel: +55 31 9804 5253

Photosmust be sent by mail to leitefilmes@gmail.com



ChapterIII

Selection

3.1 -There will not be selection of the films and videos submitted. As long as fourhours of the Festival programming is completed, the selection will be over.



3.2 -Selected films and the programming will be available from August 23, 2012 in: http://www.mostramumia.blogspot.com/


ChapterIV:

General Information

4.1 – Preview tapes will not bereturned and will be part of the Festival’s archive and maybe screened on special cultural programmes in Brasilor other countries that invites MUMIA, including television, without commercialpurposes under the director’s authorization.

4.2 - If your work is accepted into the festival, you agree to allow MUMIA touse the film (including images, photos, sound and clips – maximum of 30”)within our promotions and screenings.

4.3 –MUMIA’s is also allowed to use pictures,photos and graphic and publicitymaterials of the films to promote them in every media supports.

4.4- All the selected Braziliananimations will be part of a Special Programme to be screened on the cities ofTeófilo Otoni, Vespasiano, Sabará and Ribeirão das Neves on November / 2012.

4.5 – Registration will be confirmed by mail after the arrival of all requiredmaterials and information.

4.6 - Theentry of a film or a video implies acceptance of the terms of theseregulations.

4.7 - Otherissues will be decided by the MUMIA’s organization committee.





Submission Form





10º MUMIA – Underground World AnimationFestival – Belo Horizonte / Betim/Nova Lima - 2012.

Extra screenings: Teófilo Otoni, Sabará,Vespasiano e Ribeirão das Neves. (November / 2012)

Title:

Duration:

Date and Shooting location:

Director:

Producer:

Adress:

Zip:

City/State:

Phone/fax:

E-mail:

Synopsis:

Awards:

Original shooting format:

Key words: (choose three or four words todescribe the subject of your film):

Parental rating:



Do you agree in participating of MUMIA’s showcases inbrazilian cities and other countries?

yes no

10ª MUMIA – MUESTRA UDIGRUDI MUNDIAL DE ANIMACIÓN

10ª MUMIA – MUESTRA UDIGRUDI MUNDIAL DE ANIMACIÓN

BELO HORIZONTE, BETIM Y NOVA LIMA (MINAS GERAIS)- 05 al 31 de octubre de 2012.

Locales de exhibición: Cine Humberto Mauro – Palácio das Artes, Centro de Cultura Belo Horizonte, Casa do Baile, Cineclube Joaquim Pedro de Andrade, Cineclube Uma Tela no Meu Bairro, Cineclube Sabotage, Biblioteca Pública Luis de Bessa, Casa UNA, C.A.S.A (Companhia Artística Suspensa Armatrux), SESC Palladium, Auditório de la Municipalidad de Betim.

Extensión a las ciudades de Teófilio Otoni, Sabará, Vespasiano e Ribeirão das Neves (Minas Gerais). - Noviembre de 2012

CONFERENCIAS + INVITADOS + LANZAMIENTO DE LIBRO + RETORSPECTIVAS + LANZAMIENTO DE DOCUMENTAL SOBRE LA PRODUCCIÓN MINERA DE CINE DE ANIMACIÓN + FIESTAS

ENTRADA GRATUITA

OBJETIVOS:

El objetivo es aumentar las oportunidades para la imaginación y las posibilidades de decir el nuevo, de sentir una nueva sensación, y un nuevo modo de expresión como también un estímulo a la cultura cinematográfica brasileña, mirando el proyecto como un nuevo espacio de formación para nuevos espectadores y cineastas. Serán acogidos películas y videos realizados sin apoyo, sin incentivos, realizados con bajo o ningún costo y las que representaron perjuicio a sus realizadores.

ORGANIZADORES:

El MUMIA - Muestra Udigrudi Mundial de Animación - es una iniciativa de profesionales de la animación de carácter competitivo que recibe apoyos de: la Municipalidad de Betim, Lei Municipal de Incentivo a la Cultura/Ayuntamiento de Belo Horizonte, ABCA, ABCA-MG, SESC/ Laces/JK/ Palladium, Leite Filmes, Sinpro Minas, Oficina de Imagens, Mucuri Cultural, Casa Fora do Eixo e IT Filmes, Comunicação e Entretenimento.

FINALIDAD:

El MUMIA - Muestra Udigrudi Mundial de Animación tiene como objetivo promover la producción audiovisual de animación de carácter cultural y busca contribuir al desarrollo videografico cuanto a el lenguaje, a el formato y a la forma específica de su producción. Además, busca proporcionar el acceso del público a una porción significativa de la producción nacional e internacional que no pertenece a grandes productoras y que termina por quedarse al margen del circuito comercial.





REGLAMENTO

CAPÍTULO I: DE LA FINALIDAD
El MUMIA - Muestra Udigrudi Mundial de Animación tiene como objetivo fomentar nuevas producciones audiovisuales de cortometrajes de animación, por su innovación y creatividad.

CAPÍTULO II: INSCRIPCIÓN
2.1 - La Muestra está abierta a las producciones nacionales e internacionales, para animaciones de cualquier formato realizadas desde 2000 y que sean entregues en formato NTSC DVD, independientemente de su formato original. Para las producciones extranjeras se exige el listado de créditos y diálogos. Cada participante, de forma individual, puede registrarse con la cantidad de títulos que desee, desde que puedan ser enviados en un solo disco de DVD. También serán aceptados videos realizados en otros mundos distintos.

2.2 - Los formularios de inscripción, así como las copias en DVD de los videos deben ser enviados al más tardar el 31 de mayo de 2012, junto con el material de publicidad a la dirección:

10 MUMIA / UNA CAMPUS LIBERDADE
Rua da Bahía, 1764
Lourdes
Belo Horizonte - MG
CP 30160-011
Brasil
Tel: +55 (31) 9804 – 5253

Las fotos para difusión deben ser enviadas al correo electrónico: leitefilmes@gmail.com

CAPÍTULO III: SELECCIÓN
3.1 - No habrá selección de películas y videos incluidos en el programa. Se respetará el número de producciones que rellene cuatro horas de programación.
3.2 – Los videos seleccionados y la programación estarán disponibles del 23 de agosto de 2012 en: http://www.mostramumia.blogspot.com/ y www.mumiainternational.blogspot.com

CAPÍTULO IV: DISPOSICIONES GENERALES
4.1 - Todas las copias enviadas a Mumia - Muestra Udigrudi Mundial de Animación, se convertirán en parte del acervo de la muestra y será permitido su uso solamente con fines culturales en otros muestras en Brasil y en el extranjero y programas de televisión sin fines comerciales, siempre autorizado por sus directores.

4.2 - La organización reserva a MUMIA el derecho de utilizar escenas (hasta 30") de películas que fueron inscritas en los programas o productos que tengan como objetivo su promoción.

4.3 - La organización de Mumia - Muestra Udigrudi Mundial de Animación puede utilizar imágenes, fotos y materiales gráficos de los videos, para divulgar el mismo en todos los medios de comunicación.

4.4 - Las inscripciones serán confirmadas por correo electrónico tras la recepción de todos los datos solicitados. http://www.blogger.com/img/blank.gif

4.5 – Al rellenar el formulario de inscripción, el participante estará en acuerdo con todos los puntos de ese presente reglamento.

4.6 – Las cuestiones omisas serán resueltas por el comité organizador de la Muestra Udigrudi Mundial de Animación.


FORMULARIO DE INSCRIPCIÓN
10ª MUMIA – MUESTRA UDIGRUDI MUNDIAL DE ANIMACIÓN


¿Desea participar de la Muestra itinerante de MUMIA en ciudades de todo Brasil y en el extranjero? ¿Sí o no?



traducion: Janine Avelar

AWARDS 9 MUMIA

local competition

Best Short
O céu no andar de baixo - Leonardo Cata Preta - 15’ - Belo Horizonte/MG – 2010

Best Art and Music
Breves instantes - Miriam Rolim - 3’ 05” - Belo Horizonte/MG - 2010

Special Mention
Funcionário do mês - Ramon Faria - 3’ 34” - Belo Horizonte/MG – 2011
Kung food - Jomário Murta - 4’ 12” - Belo Horizonte/MG - 2009
A zona da mata do Krambeck - Alessandro Driê – 11’ 05” - Juiz deFora/MG - 2010

International Competition

Best Short
Parede - Pierre-Emmanuel Lyet – 00:08:00 – França – 2009

Special Mention
Danny Boy - Marek Skrobecki - 00:10:00 - Savosa / Switzerland - 2010
Pica – Irene Fuga & Rafael Sommerhalder – 00:04:28 – London – UK - 2009

9 MUMIA - POSTER

Art - Marão - By Adriane Puresa

9 MUMIA - SPECIAL SCREENING NICOLAS BIANCO-LEVRIN AND JULIE REMBAUVILLE – FRANCE

Born in 1979, Nicolas Bianco-Levrin studied at the Duperré Art school in Paris and published his first book for children "Simon without nights" in 2002 for which he won the Graphic Octogone price from the International Center of Litterature for Children. Nicolas Bianco-Levrin published 22 books and directed 13 animation films. He is now working on a new short : Merci mon chien, produced by Folimage studio.

Julie Rembauville was born in Paris in 1982. She studied litterature and audiovisuals at La Sorbonne University. In 2003, she published her first book for childern, Je ne me laisserai pas faire ! (I won’t let them do it !) working with the drawer Nicolas Bianco-Levrin. Then, they realized films and books, working on adaptation principe. The Machino received the award of the best DVD-book for children in 2006, given by the CIELJ (International Center of Litterature for Children). She’s now working on an animated serie project for TV, KROAK, written with Nicolas Bianco-Levrin and produced by Sacrebleu productions and on a short Thank you my dog produced by Folimage studio.

Filmography

Le rocambolesque aventures de pépé Raoul - Nicolas Bianco-Levrin – 00:07:20 – 2009
The old Raoul plays the banjo with his donkey. Arriving at the entrance of a cavern, Raoul takes his camera. He’s going to film a big bear sleeping. But Raoul and the donkey are not careful enough and the awake bear gets very ungry.

Ben Hora - Nicolas Bianco-Levrin and Julie Rembauville – 00:04:01 – 2010
In this city where everything is built around the letter R, you speak and thonk in an R away. At school, a child learns with difficulty to write. His deletions create strange new sings.
Better Videoclip – International Film Festival Aubagne – France


Les temps de vivre - Nicolas Bianco-Levrin – 00:02:50 – 2010
As every morning, the snail leaves in search of food. Today, everything seems to be transformed in a gigantic adventure.

(R) - Nicolas Bianco-Levrin and Julie Rembauville – 00:12:34 – 2011
In this city where everything is built around the letter R, you speak and thonk in an R away. At school, a child learns with difficulty to write. His deletions create strange new sings.
Better script - International Film Festival Aubagne – France
Price for script – Beaumarchais/SACD – 2009.

9 MUMIA - SPECIAL EXHIBITION MINA ANGUELOVA - BULGARIA

By Erick Ricco

This Sample is dedicated to girl´s works who was discovered on Youtube downloading links related it hallucinated me, I had the impression to discover something very important and still unknowing. Mina Anguelova was born in 1988 at Bulgária and moved to Portugal while her childhood. With degrees in painting by the College of Fine Arts from University of Lisboa, She paints, draws and have a big video animation production.

All she does is posted immediately on the two channels she has on Youtube. One of them she sign with her own name and add works that use many animation techniques, beyond documentary , fiction and video art. In the another one she lives Miss Little Cute Bitch, a kind of provocative between filmmakers of the net that go to 2d animations in answer to postages of others visitors. The time of her works varies, there is since some seconds to little more than ten minutes. Between all, a series called “Little Songs About My Diseases” is remarkable. In there your heteronym sings with irony the sickness it supposed to suffer, Psoriasis, Candida and the first cocoon of bulimia cannibal. In both facets, the images that Mina made are monstrous, virulent, snotnose and colored and delicate. The necessity of publish her videos is so big that they are spat in the internet, sometimes unfinished , and the teenager opinion remembers the knowing series of videos that Sadie started and did inside her room on the 90. The work´s precariousness breaks with all the cultured to high definition on today´s date. Hers hostile esculacho back against to a superficial world, consumerist, repressed and, why not, emocore. Mina has so much anger to belongs hers generation, she cries angrily , but even hers acidity creates calm moments, beauty and an ironic innocence. The church, of course, also is a recurrent subject is treated with the same irritation. All of this gives Mina Anguelova a metallic character, of heavy metal culture – something witch Belo Horizonte so carries about – profane and provocative, made by impulse , something alike the firsts videos of the big Carlos Magno Rodrigues.

Even being a hard task to classify such production, Mina is indispensable in one sample dedicated to underground, because the characteristic most outstanding of her works is the rebellion that moves them.

Interview made for the blog Penicilinamuita (www.penicilinamuita.tk)

I know you were born in Sofia, Bulgaria, and then went to Lisbon. Tell me a little about this migration.

I was born in Sofia in the same period of transition from communism to democracy. My mother is a painter, my father a violinist. This period in Bulgaria was of great poverty and wish or freedom after the dictatorship. My parents fled, like many of his generation. We migrated to Portugal when I was four years old - I remember very little of life in Bulgaria. One of the few memories is exactly be pissing on the floor between the legs of protesters supporters of democracy. I think that sums up my political consciousness or rather, unconsciousness. I never passed this level.

I maintain strong relations with Bulgaria every year I spend at least a month there. I fell my self extremely Bulgarian, perhaps even more for never having lived there. I get thrilled and vibrate like crazy with all the Balkan myth of the spirit in all its aspects, from the purest folk to the more piggish gypsy and the cheapest and caddish mixtures of the chalga. Bulgaria is my lost paradise, my lost identity, an ideal that never existed, but we fantasize.

In addition to having developed this tendency to worship the ancestor, the rip of my root also led me to the opposite extreme, to the loss of identity and almost total availability to rehabilitation in the other/new, whatever it is. I conform myself and easily love the strange.

His family is Catholic? Have you been baptized, etc.?

I was baptized as Orthodox Christian. I have nothing against it, as I said I love the Orthodox iconography. But this issue is complicated and has a lot to be said. First, orthodox Christianity was suppressed by communism for 50 years ... Off of political, financial, worldly, interests, blah, blah. All that survived was its essence, its best. Second - this Christianity keeps a lot of what is the very strong Bulgarian pagan spirit. Thus we speak of a Christianity quite different from the Pope one.

I am interested in religion and would like to know more than what I know. From Christian, I read St. Augustine and little more. Recently I have been leaning about Taoism. I do not know if there is God ... But often it seems that I see Him.

What you do today? Talk about work and study and when and how you started drawing, painting or doing videos.

I started drawing when I was born ... Or better before I was born, being that my mother already was painting... Or best yet painted before she was born, my grandfather carved and painted, and before him my great-grandfather... And as legend tells that great-grandfather of this great-grandfather was a Dutch sculptor. So I think I've been in the arts since the beginning of time. Drawing since I can remember ... And I always knew and said I would be a painter.
Video I started doing as soon as I got a camcorder ... I think at age 15. I play xylophone since I bought a xylophone, flute since I have a flute, etc. I express myself with what I have. I do it spontaneously, on my own initiative and without any purpose than to kill the boredom. For a while I studied art and thought I would live by art, but to make art a work was to make the boredom killer a boredom. So now I got back to work in order to make art again.

I wanted you to describe the tools you use to do your works.

The tools for music: instruments, very cheap mp3 audio recorder. The editing I do in Audacity. For video: SX200IS Canon digital photo camera, or Sony DCR-HC23 camera. I edit in Windows Movie Maker. For animations I use the Windows Paint, Photoshop and Movie Maker.

You quote in your work and social networks: Harmony Korine, Lourenço Mutarelli, David Lynch, Daniel Johnston ... Name a few artists that influence you.

Jan van Eyck, Rogier van der Weyden, Jean Fouquet - all Gothic, the whole medieval illumination, the orthodox iconography ... I must confess that my great loves are in the past, fascinates and inspires me a lot more the Aztecs pictures, Japanese prints, African sculptures, masks of Bulgarian or Portuguese folklore than any contemporary artist. Anyway, from the twentieth century I can name Otto Dix, Glen Brown ... But more than these, from the art of the present time, cinema interests me, it is difficult to choose favorites, but occur to me at the moment Takashi Miike, Lars Von Trier, Kubrick, Terry Gilliam, Vincent Gallo and Herzog.

In misslittlecutebich YouTube channel, your heteronym, makes several videos in response to Jamie’s¬ (youtube.com/jayvlog89) postings. Why is misslittlecutebitch obsessed with Jamie? Does she live a platonic passion for him?

Lol ... Jamie is pretty cool. Why is she obsessed with him? She's crazy and uncontrolled, do not hesitate to throw herself head for every man, food, hobby that will kill the boredom. All in her is consumed in a very strong and very fast combustion. Everything is so fast that it is hard to say why. She never thinks, only feels. I guess she likes him because he's handsome and popular. For sure it’s a platonic love, since it is herself to be a platonic being. A suppressed alter ego, one among many. I’m a seven-headed dragon (Bulgarian mythological creature) in a head only. Imagine the frustration!

What do you think of coats made of animal skins?

Look, I have a leather jacket. I have boots and leather shoes. I eat meat, I eat fish. Although, last summer I helped my grandmother to kill a goat for my brother’s birthday party. I think it's normal that we use animals to eat and clothe ourselves. I do not think it’s normal to happen in a totally alienated and impersonal way. To kill a goat or a chicken is common in the village of my grandparents, but when you kill the animal, you kill a friend who you cared and sawn growing, a part of you ... Confront yourself to your own death. The animal and its meat are something precious, respected, loved and spared.

Obviously this is all lie in the city, and I live 11 months of my year cloistered in the city, a metropolis’s microscopic pin. Nothing passes me through the hands, I live in total ignorance of everything that surrounds me and I just focus on my specialization. I try to keep me minimally informed about what I consume not to be an accomplice in barbarity, but for sure I do a lot of shit without realizing it.

Program
religious ms paint mess - 2:28
http://www.youtube.com/watch?v=ykdhYyP5RtA

the beginning of a dream i had - 1:12
http://www.youtube.com/watch?v=CdNGGBQU_C4


Ciberarte 2 - Mina Anguelova - 0:59
http://www.youtube.com/watch?v=4etTGHUL9Vk


Apocalypse - 1:33
http://www.youtube.com/watch?v=5ngMhNaqwoI


Clavicordio (Caos) - 0:48
http://www.youtube.com/watch?v=dWNRh-doUkk


blue wolf raping blond - 0:18
http://www.youtube.com/watch?v=K9KyFnK2wMw


Cabra - 0:26
http://www.youtube.com/watch?v=W-ELxFjxBmE

A little song about my diseases - Part 1 - Psoriasis - 1:29
http://www.youtube.com/watch?v=EOEx7uqwlQc


‪A little song about my diseases - Part 2 - Candida Albicans‬ - 3:24
http://www.youtube.com/watch?v=kxu76a0XLgk

Little songs about my diseases - Part 3 - Cannibalistic Bulimia - 5:51
http://www.youtube.com/watch?v=a3-FoKuGVgA


misslittlecutebitch hollidays hometown bulgaria - dreaming with Azis and Jamie and killing a goat - 12:06

Jamie and Cigarettes Obsession - 4:09
http://www.youtube.com/watch?v=kBOn8QMuSpc


GAY vs GOD - 1:08
http://www.youtube.com/watch?v=20IBnu92eBc


Punched In The Face - 2:02
http://www.youtube.com/watch?v=8wHdVRvSVR4


lephant man with mustard and ketchup - 0:29
http://www.youtube.com/watch?v=EVGsNKGpQn4


RE:Opinion or Murder? This is the jungle, and you are living in it. - 1:40
http://www.youtube.com/watch?v=wyQ4qNUi5ns

RE: Onisions' Marriage - YOU DONT SHARE TOILET?! - 1:24
http://www.youtube.com/watch?v=SIIiuu6q-ho


RE: TAMPONS V.S. THE PINK RANGER?!- 0:18
http://www.youtube.com/watch?v=sVqNM6s8tC0


Emo love song to Charlie - 1:33
http://www.youtube.com/watch?v=PGTGbII5rWc


45’