sábado, 4 de junho de 2011

9th MUMIA - World Underground Animation Show - Call for entries closed


Call for entries are now closed. All selected films for regional, Brazilian and international competitive exhibitions will be announced by late June 2011.

This year, a special MUMIA screening, curated by its director, Savio Leite, will take place at the 3˚ ReAnimania - International Animation Film Festival of Yerevan (Armenia), from 14 to 19 of September, with the support of the Brazilian Embassy in Yerevan.

For this reason, the 9˚ MUMIA will be held in Belo Horizonte, Betim and surroundings from 05 to 31 of October.

Special screenings from Ecuador, Argentina - Ayar Blasco, and France - Bertruit Hadrien, Nicolas Bianco-levrin Rembauville and Julie will happen at this edition of MUMIA, while the opening film is Follow sings the Blues by Nina Paley.

quarta-feira, 2 de março de 2011

9˚ MUMIA – UNDERGROUND WORLD ANIMATION FESTIVAL 2011 - CALL FOR ENTRIES



BELO HORIZONTE - BETIM - 07 to 30 September

Exhibition places: Humberto Mauro Cinema – Palace of Arts, Belo Horizonte
Cultural Center, Casa do Baile (House of Ball), Joaquim Pedro de Andrade
Cineclub, Uma Tela no Meu Bairro Cineclub, Sabotage Cineclub, C.A.S.A (Compania Artistica Suspesa Armatrux) , Betim’s City Hall Auditorium).

FREE PASS

MOTTO: "Cinema is what can not be described.” - Rene Clair, Le Théâtre et
la Comœdia illustré.

Objectives:

MUMIA aims to broaden the spaces of imagination and possibilities of a new
speech on art, of a new way of sensing the world and also a new way of
expression, amid giving support to the brazilian cinematography culture by
creating room to the emerging of new audiences, producers and directors.

Films and vídeos produced without any kind of support, no money at all or
even those which caused loss to its producers and other ones made with very
low budgets are very well accepted too.

Organizers:

MUMIA, a competitive festival, is a iniciative of brazilian animators in
cooperation with Betim City Hall, Belo Horizonte City Hall, CRAV (Belo
Horizonte’s Audiovisual Reference Center), Abílio Barreto Historical Museum,
Integrated Schools from the Educational Net of Belo Horizonte, ABCA, ABCA-
MG, SESC/Laces/JK, Leite Films, Pimenta Films, Sinpro Minas and IT Films,
Comunication and Entertainment.

Purpose:

The purpose of MUMIA is to promote the cultural production of animation films
and videos, contributing to its development as an artistic language, specific
format and production method. The Festival also aims to offer the local
audience the access to the national and international animation production

beyond what is currently available through commercial outlets, traditional
production houses or film institutions.

Regulations.

Chapter I

Purpose

MUMIA – Underground World Animation Festival – is focused in promoting
recent animation short films, incentivating inovation and creativity.

Chapter II:

Registration

2.1 - The Festival is opened to national and international animation films of

any format and any lenght, completed after 2000, on DVD (NTSC), regardless

of the original format. international productions should include credits and

complete dialogue list.

Each director can submit more than one film or video, but must submit each of
them with separate entry forms, although the films or videos should be sent all
together in the same DVD.

Videos made in different worlds will be very well accepted too.

2.2 - Registration forms, DVDs and all the adicional information must be sent

by May 31st 2011 (postmark) to the Festival adress:

CRAV /9 MUMIA

Av Alvares Cabral, 560

Centro

Belo Horizonte - MG

30170-000

Brazil

Tel: +55 31 3277 - 4699

Photos must be sent by mail to leitefilmes@gmail.com

Chapter III

Selection

3.1 - There will not be selection of the films and videos submitted. As long

as twelve hours of the Festival programming is completed, the selection will be

over.

3.2 - Selected films and the programming will be available from August 23,

2011 in: http://www.mostramumia.blogspot.com/

Chapter IV:

General Information

4.1 – Preview tapes will not be returned and will be part of the Festival’s
archive and maybe screened on special cultural programmes in Brasil or
other countries that invites MUMIA, including television, without commercial
purposes under the director’s authorization.

4.2 - If your work is accepted into the festival, you agree to allow MUMIA to
use the film (including images, photos, sound and clips – maximum of 30”)
within our promotions and screenings.

4.3 – MUMIA’s is also allowed to use pictures, photos and graphic and

publicity materials of the films to promote them in every media supports.

4.4 – Registration will be confirmed by mail after the arrival of all required
materials and information.

4.5 - The entry of a film or a video implies acceptance of the terms of these

regulations.

4.6 - Other issues will be decided by the MUMIA’s organization committee.

REGISTRATION FORM

9 º MUMIA - UNDERGROUND WORLD ANIMATION FESTIVAL 2011

Title:

Duration:

Year:

Shooting location:

Director:

Producer:

Address:

ZIP code:

City / State:

Country:

Telephone / fax:

E-mail:

Synopsis:

Awards (if any):

Original film format:

Parental rating:

Do you agree in participating of MUMIA’s showcases in brazilian cities and
other countries?

yes

no

Tradution: Claudia Nunes

terça-feira, 1 de março de 2011

9 MUMIA - llamada para inscripciones


9ª MUMIA – MUESTRA UDIGRUDI MUNDIAL DE ANIMACIÓN

(UDIGRUDI es la jerga brasileña para UNDERGROUND)

BELO HORIZONTE Y BETIM (MINAS GERAIS)- 07 al 30 septiembre de 2011

Local de exhibición: Cine Humberto Mauro – Palácio das Artes, Centro de Cultura Belo Horizonte, Casa do Baile, Cineclube Joaquim Pedro de Andrade, Cineclube Uma Tela no Meu Bairro, Cineclube Sabotage – Auditório de la Municipalidad de Betim

ENTRADA GRATUITA

LEMA: "El cine es lo que no se puede contar - René Clair, Le théatre et la comoedia illustré.

OBJETIVOS:

El objetivo es aumentar las oportunidades para la imaginación y las posibilidades de decir el nuevo, de sentir una nueva sensación, y un nuevo modo de expresión como también un estímulo a la cultura cinematográfica brasileña, mirando el proyecto como un nuevo espacio de formación para nuevos espectadores y cineastas. Serán acogidos películas y videos realizados sin apoyo, sin incentivos, realizados con bajo o ningún costo y las que representaron perjuicio a sus realizadores.

ORGANIZADORES:
El MUMIA - Muestra Udigrudi Mundial de Animación - es una iniciativa de profesionales de la animación de carácter competitivo que recibe apoyos de: la Municipalidad de Betim, Ayuntamiento de Belo Horizonte, CRAV- Centro de Referencia Audiovisual de Belo Horizonte, Museo Histórico Abilio Barreto, ABCA, ABCA-MG, SESC/ Laces/JK, Leite Filmes, Sinpro Minas, Pimenta Filmes e IT Filmes, Comunicação e Entretenimento.

FINALIDAD:

El MUMIA - Muestra Udigrudi Mundial de Animación tiene como objetivo promover la producción audiovisual de animación de carácter cultural y busca contribuir al desarrollo videográfico cuanto a el lenguage, a el formato y a la forma específica de su producción. Además, busca proporcionar el acceso del público a una porción significativa de la producción nacional e internacional que no pertenece a grandes productoras y que termina por quedarse al margen del circuito comercial.


REGLAMENTO

CAPÍTULO I: DE LA FINALIDAD


El MUMIA - Muestra Udigrudi Mundial de Animación tiene como objetivo fomentar nuevas producciones audiovisuales de cortometrajes de animación, por su innovación y creatividad.


CAPÍTULO II: INSCRIPCIÓN

2.1 - La Muestra está abierta a las producciones nacionales e internacionales, para animaciones de cualquier formato realizadas desde 2000 y que sean entregues en formato NTSC DVD, independientemente de su formato original. Para las producciones extranjeras se exige el listado de créditos y diálogos. Cada participante, de forma individual, puede registrarse con la cantidad de títulos que desee, desde que puedan ser enviados en un solo disco de DVD. También serán aceptados videos realizados en otros mundos distintos.


2.2 - Los formularios de inscripción, así como las copias en DVD de los videos deben ser envíados al más tardar el 31 de mayo de 2011, junto con el material de publicidad a la dirección:


CRAV/9 MUMIA
Av. Alvares Cabral, 560
Centro
Belo Horizonte - MG
CP 30170-000
Brasil
Tel: +55 (31) 3277 – 4699

Las fotos para difusión deben ser enviadas al correo electrónico: leitefilmes@gmail.com

CAPÍTULO III: SELECCIÓN

3.1 - No habrá selección de películas y videos incluidos en el programa. Se respetará el número de producciones que rellene cuatro horas de programación.

3.2 – Los videos seleccionados y la programación estarán disponibles del 23 de junio de 2011 en: http://www.mostramumia.blogspot.com/ y www.mumiainternational.blogspot.com


CAPÍTULO IV: DISPOSICIONES GENERALES

4.1 - Todas las copias enviadas a Mumia - Muestra Udigrudi Mundial de Animación, se convertiran en parte del acervo de la muestra y será permitido su uso solamente con fines culturales en otros muestras en Brasil y en el extranjero y programas de televisión sin fines comerciales, siempre autorizado por sus directores.

4.2 - La organización reserva a MUMIA el derecho de utilizar escenas (hasta 30") de películas que fueron inscritas en los programas o productos que tengan como objetivo su promoción.

4.3 - La organización de Mumia - Muestra Udigrudi Mundial de Animación puede utilizar imágenes, fotos y materiales gráficos de los videos, para divulgar el mismo en todos los medios de comunicación.

4.4 - Las inscripciones serán confirmadas por correo electrónico tras la recepción de todos los datos solicitados.

4.5 – Al rellenar el formulario de inscripción, el participante estará en acuerdo con todos los puntos de ese presente reglamento.

4.6 – Las cuestiones omisas serán resueltas por el comité organizador de la Muestra Udigrudi Mundial de Animación.

FORMULARIO DE INSCRIPCIÓN

9ª MUMIA – MUESTRA UDIGRUDI MUNDIAL DE ANIMACIÓN

Título:
Duración:
Período y lugar:
Director:
Productor(a):
Dirección Postal:
Código postal:
Ciudad y Estado:
Teléfono /fax:
Mail:
Sinopsis:
Premios:
Originalmente producido en :
Clasificación de edad (indicativa):
¿Desea participar de la Muestra itinerante de MUMIA en ciudades de todo Brasil y en el extranjero? ¿Sí o no?

Traducion: Janine Avelar

quinta-feira, 20 de janeiro de 2011

THE BEST BRAZILIAM ANIMATIONS IN ECUADOR















The best braziliam animation in Ecuador.
Thanks a Savio Leite, director of MUMIA and Sonia Paredes by embassy of Brazil en Ecuador, the show the best braziliam animation and Brazil, country of Honor of ANIMEC - 3th Internacional Animation in Ecuador.

The braziliam animation are:
TERRA(Earth) - Savio Leite - 5' - 2009
COMO COMER UM ELEFANTE (HOW TO EAT AN ELEPHANT)- Jansen Raviera - 6' - 2008
OS TRES PORQUINHOS (THE THREE LITTLE PIGS)- Claudio Roberto - 4' - 2006
VIDA MARIA (MARIA'S LIFE)- Marcio Ramos - 9' - 2006
YANSAN - Carlos Eduardo Nogueira - 18' - 2006
HISTORIETAS ASSOMBRADAS PARA CRIANCAS MAL CRIADAS (HANTED TALES FOR NAUGHTY CHILDREN) - Vitor Hugo Borges - 15' - 2005
NAVE MAE (MOTHER SHIP) - Fabio Zimbres and Otto Guerra - 12' -2004
CASTELOS DE VENTO (CASTLE OF WIND) - Tania Anaya - 8' - 1998
DA JANELA PRO CINEMA (THE WINDOW TO CINEMA) - Quia Rodrigues - 13' - 1999
AMASSA QUE ELAS GOSTAM (WRINKLE THAT THEY LIKE) - Fernando Coster - 14' - 1998
ALMAS EM CHAMAS (SOULS ON FIRE) - Arnaldo Galvao - 11' - 2000

segunda-feira, 27 de setembro de 2010

MUMIA IN FANIMA TU SLOVENIA


It is a great pleasure for MUMIA - Underground World Animation Festival - to present during the Fanima Tu in Slovenia a special selection of the best Brazilian animations exhibited in its eight editions.

The Brazilian production reveals a latent creativity and a diversity of techniques - stop motion, 3D, pen and paper, wood, clay and puppet animation - that together design an explosion of colors and artistic expressions and tendencies.
MUMIA´s goals are to unveil new talents while being an artistic incubator for young beginners, to disseminate the cultural animation production and contribute to the development of this audiovisual art, its language, specific format and means of production.

THE BEST OF BRAZILIAM ANIMATION

OS TRÊS PORQUINHOS
THREE LITTLE PIGS
Brazil 2006
Animation // 4 min

Director: Cláudio Roberto
Script: Cláudio Roberto
Animation: Cláudio Roberto
Photography: Gordeeff
Sound: Cláudio Roberto, Gordeeff
Editing: Cláudio Roberto, Gordeeff
Music: Leandro Lima e Marquinhos Eddie Murphy
Production: Quadro Vermelho Produções

The children’s tale adapted to the Brazilian reality. Who’s afraid of the big bad wolf?

CASA DE MÁQUINAS
POWER HOUSE
Brazil 2007
Animation // 5 min

Directors: Maria Leite, Daniel Herthel
Script: Maria Leite, Daniel Herthel
Animation: Daniel Herthel, Maria Leite
Photography: Daniel Herthel, Maria Leite
Sound: Daniel Pooter
Editing: Daniel Herthel, Maria Leite
Music: Daniel Potter
Production: Maria Leite, Daniel Herthel

A key starts up the engine of a complex mechanical structure where chain reactions,
are they planned or random, are combined to cooperate. The movement represents
pure energy which may evolve towards synchronicity, chaos, or something in between.

SILÊNCIO E SOMBRAS
SILENT AND SHADOWS
Brazil 2008

Script: Murilo Hauser, Henrique Martins
Animation: Guilherme Laqua
Photography: Murilo Hauser
Sound: Alessandro Laroca
Editing: Murilo Hauser
Music: Felipe Valério
Production: Murilo Hauser, Rodrigo Martins - Amazing Graphics do Brasil / Lacuna

Who rides so late, through night and wind?

LINHAS E ESPIRAIS
LINES AND SPIRALS
Brazil 2009
Animation // 2 min

Script, Animation, Photography, Sound, Editing, Music, Production: Diego Akel

Feelings and expressions are mixed in a conflicting harmony, in the form of a animated
painting.

HISTORIETAS ASSOMBRADAS (PARA CRIANÇAS MAL-CRIADAS)
HAUNTED TALES (FOR NAUGHTY CHILDREN)
Brazil 2005
Animation // 16 min

Director: Victor-Hugo Borges
Script: Victor-Hugo Borges
Animation: Victor-Hugo Borges, André Francioli
Photography: Mauricio Hirata F.
Sound: Miriam Biderman, Ricardo Reis
Editing: André Francioli
Music: Renato Lemos
Production: Mayra Lucas, Paulo Boccato

Three Stories that your grandma never told you because if she did so, you would pee in
your bed.

DEU NO JORNAL
I READ IT IN THE PAPER
Brazil 2005
Animation // 3 min

Director, Script, Animation, Sound, Editing, Contact: Yanko Del Pino

An animation for adults that tells the story of a lonely guy and his fantasies.
Ballpoint pen in an old newspaper unmasks his most intimate relations with himself.

YANSAN
Brazil 2006
Animation // 18 min

Director: Carlos Eduardo Nogueira
Script: Carlos Eduardo Nogueira e Ruggero Ruschioni
Animation: Carlos Eduardo Nogueira and Michelle Gabriel
Photography: Carlos Eduardo Nogueira
Sound: Ruggero Ruschioni
Editing: Carlos Eduardo Nogueira
Music: Ruggero Ruschioni
Production: Glaz Cinema

Yansan and Xangô came to this world together.They belong each other.They´ll die in
the same day.

DOSSIÊ RÊ BORDOSA
THE RÊ BORDOSA DOSSIER

Brazil 2008
Animation // 16 min

Director: Cesar Cabral
Script: Leandro Maciel, Cesar Cabral
Animation: Cesar Cabral
Photography: Marcelo Trotta
Sound: Guile Martins
Editing: Cesar Cabral, Leandro Maciel
Music: Inocentes, Los Pirata, Grinders
Production: Anália Tahara

A stop motion animation documentary that investigates the motives behind the decision
made by Brazilian cartoonist Angeli to kill one of his most famous creations, the
underground diva Rê Bordosa.

VIDA MARIA
MARIA LIFE
Brazil 2006
Animation // 9 min

Director: Márcio Ramos
Script: Márcio Ramos
Animation: Márcio Ramos
Sound: Danilo Carvalho, Érico Paiva Sapão
Editing: Márcio Ramos
Music: Hérlon Robson
Production: Isabela Veras – Trio Filmes, VIACG

Maria José, a 5 years old girl, has to leave her studies to work on the farm where
she lives. From this point on we follow her life routines until she gets old.

O ANÃO QUE VIROU GIGANTE
THE DWARF THAT BECAME A GIANT
Brazil 2008
Animation // 10 min

Script:Marão
Animation: Marão
Photography: não há
Sound: Ana Luiza Pereira
Editing: Alessandro Monnerat
Music: Leonardo Mendes and Pedro Iuá
Production: Marão

The unlikely – but real – story about the dwarf that became a giant.

O JUMENTO SANTO E A CIDADE QUE SE ACABOU ANTES DE COMEÇAR
THE HOLY ASS AND THE CITY THAT WAS FINISHED BEFORE IT BEGAN
Brazil 2007
Animation // 11 min

Director: Leo D., William Paiva
Script: André Muhle, Leo Falcão
Animation: William Paiva, Pedro Augusto, Sebba Cavalcante, Leonardo Domingues
Photography: Ricardo Bicudo, Sebba Cavalcante
Sound: William Paiva, Leo D.
Editing: William Paiva, Leo D.
Music: Leo D., William Paiva, Cláudio Rabeca
Production: Estúdio de Animação Barros Melo

When God decides to create the world, things turn out not quite as planned. Brazil’s
back-country will never again be the same after the ass “Limoeiro” comes to earth to
set humanity right, which, after having succumbed to the devil’s temptation, ends up
getting the world into a huge mess.

sábado, 25 de setembro de 2010

8 MUMIA - AWARDS

















INTERNATIONAL COMPETITION
Best Films EVERYTHING WILL BE OK and I AM SO PROUD OF YOU by Don Hertzfeldt - USA
Special of Jury - ENGLISH LESSONS by de Chrzu - Finland
Mention of Honor - JOHN AND KAREN by Matthew Walter - UK

NATIONAL COMPETITION
BEST FILM: O DIVINO, DE REPENTE by Fabio Yamaji - Sao Paulo
Special of Jury: O MENINO QUE PLANTAVA INVERNOS by Victor Hugo Borges - Sao Paulo
Mention of Honor: O BAILARINO E O BONDE by Rogerio Nunes (Sao Paulo)and EU QUERIA SER UM MONSTRO by Marao (Rio de Janeiro).

REGIONAL COMPETITION
BEST FILME: BALANCOS E MILKSHAKES by Fernando Mendes and Erick Ricco
Especial of Jury: Musicaixa by Jackson Abacat
Mention of honor: 147 by Marcelo Tanure and CORTEJO by Marilia Poggliagi
Award MUMIA - Best Underground: UM EH POUCO, DOIS EH BOM, TRES EH DEMAIS, 4 EH DEMAIS DA CONTA.