domingo, 5 de setembro de 2010

8 MUMIA - LOCAL AND NATIONAL JURY
















QUIÁ RODRIGUES
Screenwriter, animator and director for TV. His first animated short film: "From Windows to Cinema", received over thirty awards and was selected for the Cannes Film Festival in 2000. His most recent work is the stop-motion film: "Cardboard Head," based on a story by braziliam writer John Rio is director of the only entertainment program on broadcast TV, the TV Animania, Brazil.

DANILO PENA
Danilo Pena is a journalist and television producer. Produced several programs on TVE - RJ / TV BRASIL like “Supertudo” and “Recoste Cultural”. He is currently a producer of the Animania, single window animation network television in
Brazil. Held several independent productions since 2002, as the movie "Raízes", winner of the popular jury CineCufa Festival 2007, and the project of independent program "Cataldo Convida", currently in development.

MAURICIO GINO
Maurício Gino was born in Belo Horizonte, Brazil. He’s animator,graduated in Visual Comunication (FUMA, 1989) and in Fine Arts (UFMG, 1996). He teaches animation at the Fine Arts School - UFMG, since 2005.

sábado, 4 de setembro de 2010

8 MUMIA - OVERTURE- MERCANO, O MARCIANO, DE JUAN ANTIN


Mercano el Marciano (Mercano the Martian
75’ - Español - 2002
Direction: Juan Antin
Art and Animation: Ayar B
Script: Juan Antin, Lautaro Nuñez de Arco
paint and color: María Hellemeyer
Sound: Martín Litmanovich
Productor Executive: Mario Santos
Produzida pela Universidade del Cine

Mercan is a Martian who lived quietly on their planet, until one tragic day when a
spaceship, coming from the planet Earth with a message of peace, killed his dog. Mercan, furious, travels to our planet looking for revenge, however, two misfortunes happen:his ship was destroyed on landing and, most terrible, was just down in Argentina.

FESTIVALS:
Festival du Film d’Animation Annecy 2002, France (Special mention of Juri)

Animadrid 2004, Festival de la Imagen Animada, España (Best Film)

Sitges 2002 Festival Internacional de Cinema de Catalunya, España (Award of Públic)

Festival de Cine Inédito de Islantillas, España (Best feature of Animation)

Festival de Vitoria, España (Best feature of Animation)

Berlín Film Festival, Alemania (Competition Forum of New Cinema)

Festival Internacional de San Sebastián 2002, España (First features of animation)

Selected in numerous International Festivals: Tribeca Film Festival of New York (USA), Festival del Nuevo Cine Latinoamericano de La Habana (Cuba), Cinanima (Portugal), Anima 2003 (Belgium),Future Film Festival (Bologna, Italy), Los Angeles Latino Film Festival, Sarajevo Film Festival among others. Until then, Mercan the Martian made his debut in Argentina, Uruguay, Venezuela, France, Japan, Russia, Holland, Belgium, Luxembourg, Australia and Poland. Critically acclaimed for its international anti-globalization ideology and its artistic quality and technique.

CRITICS
"The most entertaining movie that Argentina has produced in recent times, has everything necessary to become a cult film."
Clarín (Argentina)

“An effective and instant humor , impredecible and politically incorrect”
El Independiente (Argentina)

Si l’altermondialisme surprend ici parce qu’intergalactique, c’est surtout la satire du chaos social argentin qui fait mouche.
Cahiers du Cinéma, França.

Un film d’animation très subversif qui, à travers les mésaventures de son héros, est une critique acide de la mondialisation.
Le Figaro, França.


«(...) Après South park, sur un mode trash/fun/nihiliste, Mercano le Martien, qui est aussi à l’origine une série télé, montre encore une fois que le cinéma d’animation favorise l’expression de la contestation la plus subversive. Le cinéma en images réelles ferait bien d’en prendre de la graine.» Les Inrockuptibles (France)

«Quelque part entre «South park» et le graffiti d’écolier, voici un dessin animé argentin particulièrement déjanté. » Le Nouvel Observateur (France)

«Au risque d’employer une métaphore facile, on dira que MERCANO LE MARTIEN
est un ovni comme il en apparaît régulièrement dans la production mondiale de films
d’animation. (...) Sous ses aspects potaches et drôles, MERCANO a même un petit côté
subversif, notamment dans la dénonciation de la mondialisation, du fossé entre riches et pauvres ou la place omniprésente de la technologie. Et tout cela le rend sympathique.”
MCinéma.com (France)

«Après avoir pris d’assaut le cinéma traditionnel, voici donc que la «nouvelle
vague» argentine se présente aux portes de l’animation.» Libération (France)

«Déclinaison d’une série télé, cette réponse de l’Amérique gaucho (de la pampa) à South Park mêle provocations et lucidité en transposant de façon drôle et saisissante la société
actuelle.» L’Humanité (France)

«Apocalyptique, gentiment provocateur, bricolé mais pleins de fougue, Mercano est un
pur produit de contre-culture comme vont l’adorer ceux qui aiment les bandes dessinées trash des années Crumb.»
Aden (France)

«Très rock’n roll, mordant et maîtrisé, le film se glose de sa propre trivialité avec une folie cartoonesque rarement égalée. Fauché comme les blés, grand guignol ricaneur et anarcho, son créateur Juan Antin est surtout un grand frondeur dont l’étonnante clairvoyance et la débrouillardise de bricoleur lui permettent de tenir efficacement son sujet. » Chronic’art.com (France)

quinta-feira, 2 de setembro de 2010

8 MUMIA - SPECIAL SCREENING NURSERY RHYMES - MULTI RIO



Since 1993, MultiRio, Municipal Multimedia Company, connected to the Municipal
Education Secretariat of Rio de Janeiro, develops cultural and educative media
products aiming teachers, students, families and the society. MultiRio reaches its
audience through TV, web and printed materials or also through the integration
of several platforms resulting in multimedia projects, enabling the construction of
knowledge more effectively and comprehensively.

Through its products and channels of communication, the company updates the
knowledge of Education professionals, promotes the democratization of information,
social inclusion and universal access to the cultural assets of the city, establishing a continuous and permanent dialogue between educators, students and society about the collective construction of knowledge and citizenship.

Always attentive to technological advances, MultiRio researches new languages and
new formats in video, animation, printing and interactive and digital media, in order
to strengthen communication with children, youth, educators, the entire society and
therefore, work more effectively for the quality of the education in the city of Rio de Janeiro.

Among the television series produced by the company since its creation, there is a
vast amount of content made for children and adolescents, which explores the specific
scholar curriculum and also new interpretations of Brazilian legends produced in video animation with the participation of public school students.

Program
Nursery Rhymes

"How can the fish live." / "Como pode viver o peixe." - 2'53" - Frata Soares
The story of a boy who learns to deal with the loss of his best friend. Free adaptation of the nursery rhyme "How can the fish live."

"I threw the stick at the cat." / "Atirei o pau no gato." - 3'33" - Sergio Glenis
A boy plays with his wooden made cat by throwing things at it. In the park, after
hitting a real cat with his rubber ball, he learns from Dona Xica how fun it is to make new friends and the difference between a toy and a real friend.

"I got in." / "Entrei na roda." - 3'02" - Edward Duval
A girl meets and interacts with a very heterogeneous group, trying to blend in.
Allegory to the discovery, during childhood, of the diversity of the world and its
multiculturalism. Based on a traditional Brazilian nursery rhyme: "Ai, eu entrei na
roda."

"If this street ..." / "Se esta rua ..." - 2'52" - Sandro Lopes dos Santos
A child feels rejected due to the arrival of his little sister, but a situation of danger make him realize that in fact they all love each other deeply.

"The old woman" / "A velha a fiar" - 1'53" - Wagner de Freitas

This Brazilian popular nursery rhyme talks about an old woman weaving on a loom
and inspired the narrative that makes an analogy between her act, the natural laws of nature and man's relationship with the environment, highlighting the life cycle in which we are all included.

"Marching soldier" / "Marcha soldado" - 2'53" - Humberto Avelar
While following a military parade, a boy dreams of the heroic rescue of the national
flag during a fire at the headquarters.

"Mister Wolf" / "Seu Lobo" - 3'26" - Humberto Avelar
Animation based on on the nursery rhyme "Mister Wolf." Children sing a song over
and over again, bothering the wolf who tries to escape from that torment.

"Little house of termites" / "Casinha de cupim" - 2'12" - Horácio Baynes Young Junior
A girl visits several houses and is always chased by termites, that gobble up all of them.

"The beautiful blooming rose" / "A linda rosa juvenil" - 2'24" - Wagner de Freitas
Inspired on the Brazilian nursery rhyme "A Linda Rosa Juvenil", the animators create
new situations dealing with characters from traditional fairy tales.

quarta-feira, 1 de setembro de 2010

8 MUMIA - SPECIAL SCREENING UNIVERSITY OF CHILDREN


Special Program University of the Children



University of the Children is an extension project of Federal University of Minas Gerais that aims to deliver scientific knowledge to students of public school of Minas Gerais States. Firstly, students are offered workshops and their curiosities, expressed at that first meeting, represent the starting point for the production of radio programs and video animations. Students receive the productions back in a recorded CD. This material is also made available in the Internet which allows creation of a great web of knowledge.


The program presented at the MUMIA show is a series of animations related to the human body and is available at www.ufmg.br/universidadedascriancas.

We hope you enjoy!

program
HOW CAN WE REMEMBER SO MANY THINGS? Mateus Di Mambro - 1’30”
- Belo Horizonte -2010
In a playful way, this video offers a scientific answer to a very common child curiosity: how can we remember so many things?

WHERE DOES OUR VOICE COME FROM? Mateus Di Mambro - 1’30” - Belo Horizonte - 2009
In a playful way, this video offers a scientific answer to a very simple child curiosity: where does our voice come from? Selected for the competitive screenings at the 9th Florianópolis Children Film Festival and to the 18th Anima Mundi.

WHAT DOES OUR BODY DO SO WE CAN GROW UP AND CHANGE? Mateus Di Mambro -
2’- Belo Horizonte – 2010
In a playful way, this video offers a scientific answer to a very simple child curiosity: what does our body do so we can grow up and change? Selected for the competitive screenings at the 9th Florianópolis Children Film Festival and to the 18th Anima Mundi.

WHY AREN’T WE BORN KNOWING THINGS ALREADY? Mateus Di Mambro - 1’30” - Belo
Horizonte - 2008
In a playful way, this video offers a scientific answer to a very simple child curiosity: why aren’t we born knowing things already? Honors at the category “Series, programas y notas especiales realizadas para TV” (Series, programs and special notes made for TV) at the 3rd Festival de Cine y Vídeo Científico Del MERCOSUR – CINECIEN’ 08

WHY DO WE THROW UP? Marcela Werkema e Mateus Di Mambro - 1’30” - Belo
Horizonte -2008
In a playful way, this video offers a scientific answer to a very simple child curiosity: why do we throw up? Selected for the 3º Festival de Cine y Vídeo Científico Del MERCOSUR – CINECIEN’

terça-feira, 31 de agosto de 2010

8 MUMIA - SPECIAL SCREENING MACHINIMAS




Emerged in the late 90's, the Machinimas refers to both a new film genre and a technique of film production. Paul Marino, one of the first directors of Machinima, defines it as a movie conceived in real time within a synthetic environment. With Machinimas, the videogame, an object of mass consumption, turns out to be a production tool for meaning and a way of expression accessible to all those who have got a game console and a computer.

The GTA game provides the framework for a futuristic meditation with "The Days
After", de André Pesch. To catch up with the recent days, World of Electors, by Alex Chan, transforms game characters in voters, interviewed about the presidential french
campaign.

Designed by Isabelle Arvers, coordinator of the specialized exhibition about the
relationship between art and video games, this program mixes experimental films with
narrative films such as "The Snow Witch", by Michelle Pettit-Mee, about a Japanese
legend.

The Machinimas, literally a contraction of the words 'machine' and 'cinema',are short films created from tools used to produce videogames. Recentely,game sites like the Sims 2 or The Movies, by Peter Molyneux,enabled on the web tools that allow internet users to create by themselves their own short films, making use of the universe and the characters of videogames.

Because of this, we are watching the democratization of the phenomenon of the critic
deviation of videogames. That's how a simple film, made from the site The Movies, was able to spread the planet last November. Designed by Alex Chan, a french designer from Paris, 27 years old, this film exposes the dangers of the French political system and turns to be the 'voice' of the suburbs during the riots. The Tendency of the press opinion and international community of players show that the Machinimas is about to become a means of political expression.

This program has the support of MOSTRAVIDEO Itaú Cultural and is designed by
Isabelle Arvers, French curator of new media and specialized critic on video,
computer games, web animation and digital cinema.

Program
Rusty Whispers: Denis
Robert Stoneman, United States, 2007, 2min7s

Produced with the game Half-Life 2, tells the story of a lonely man who lives among the birds. Always busy in creating inventions and machines, one day he tries to fly. The film is narrated by the artist Ben Hundley. Music by Aphex Twin.

Ballad of Black Mesa

Ben Hundley and Zachariah Scott, United States, 2007, 2min3s

In the iPod's advertising style, this animation mixed the game Half-Life 2 with techno music, made with the sounds of the game. Produced by Litfuse, this videoclip refers to the dance group Stomp.

The Snow Witch
Michelle Pettit-Mee, UK, 2006, 10 min

A ghost story conceived in the game The Sims 2 and based on the tale Yuki-Onna
(Kwaidan), by Patrick Lafcadio Hearn. Two woodcutters, an old man and his
apprentice, Minokichi, are trapped in the forest due to a snowstorm and find refuge in a hut. At night, Minokichi is forced to make a promise.

What I Love About Xmas
Phil Rice, United States, 2007, 3min52s

Phil Rice, also known as Overman, one of the most known names in the world of Machinima, produces this satirical film about Christmas. His answers to the question: "What do you like about Christmas holidays?", are given in a tone of bitterness and disappointment. The production was created by the software 3D Moviestorm.

Chevauchée Nocturne
Les Riches Douaniers, France, 2006, 6min24s
The music video features the silhouette of a hero on his horse. They move slowly in an endeless and shapeless landscape. The resonance of the horse's steps breaks into the music and the space. The hero is presented as a wandering dreamer.

L'Hotel
Benjamin Nuel, France, 2008, 13 min
The terrorist and the antiterrorist, satyrical portraits of the war game, are isolated in a hotel - a peaceful and bucolic place. They are, in some ways, idly occupying their time. Inspired by the war games, the film proposes an antispectacular universe.

The Days After
André Pesch and Apollo Productions, Denmark, 2006, 10min14s

The world has been devasted by a flu epidemic. Bogart, a survivor, spends most of
his days on the roof of buildings, in an anonymous city, until he finds Ingrid, another survivor. Both discover that they were alone for so long.

Male Restroom Etiquette
Phil Rice Zarathustra Studios, United States, 2006, 9min55s

Made with The Sims 2 and Sim City 4, the short film is based on the writings of the
communitarian site everything2.com, which were published in 2000. This animation
shows how our lives and the way society works depends on our agreement to the
bathrooms' laws.

World of Electors
Alex Chan, France, 2007, 1min43s

Between the two rounds of the 2007 presidential elections in France, Alex Chan
interviewed people about issues such as national identity, suburbs and children. The
interviews are then transformed to Machinima using the game The Movies.

segunda-feira, 30 de agosto de 2010

8 MUMIA - SPECIAL SCREENING ALEX BUDOVSKY


ALEX BUDOVSKY

Born in St-Petersburg, Russia on January 21st, 1975.
Moved to New York in 1994
In 2000 graduated from Brooklyn College, (bachelor of Arts) with emphasis on film.
In 2002 produced two animated music videos for British musician Stephen Coates also
known as (The Real) Tuesday Weld or the Clerkenwell Kid.
One of the films, "Bathtime in Clerkenwell" received recognition and awards in many
film festivals around the world
In 2003 produced three animated promos.
In 2004 completed 4 minute animated music film based on a song "Brazil" by Geoff
Muldaur and 75 sec educational music animation for children, commissioned by
MaGiC Studios
In 2004-2005 created four commercial ads for an advertising campaign of energetic
drink Lucozade in UK
In 2006 competed animated music video based on Jim Avignon's song "Jukebox" and
his original drawings. Jim Avignon is considered the pioneer of a new generation of
pop artists. A lauded and much-respected cult figure in Techno subculture in Berlin.
In 2007 created 5 one minute educational animations for little kids with company
Lilipip which is based in Seattle, also made an animated short "Guitar birds"
commissioned by Sesame street and commercial ad for Greenpeace. In September
completed a new music video for The Real Tuesday Weld – a 4 minute animation
called "Last Time in Clerkenwell", which is a second episode of "Bathtime in
Clerkenwell", made 5 years earlier.

FILMOGRAPHY

SHOWREEL INTRO – 50” – 2002

TERMINALLY AMBIVALENT OVER YOU – 3’- 2002
This film is based on Stephen Coates' song from the album "When Psyche meets Cupid".
The animation tells a story of a prisoner who works in a prison's gramophone factory

and while assembling gramophones thinks of his girlfriend.

BATHTIME IN CLERKNWELL – 3’- 2002
This animation is based on Stephen Coates composition under the same title. This film
is about The Great Revolution of the British Cuckoos, who bravely took over London,
forcing all the people to move inside the cuckoo clocks.

RETURN I WILL TO OLD BRAZIL – 4’- 2004
This animated music film is based on the song Brazil (Baros and Russel) performed by
The Real Tuesday Weld with Nick Phelps and Geert Chatrou. It is a story of a Brazilian
monkey, who left his motherland and wants to come back.

JUKEBOX – 3’- 2006
This film is based on Jim Avignon's (aka Neoangin) song "Jukebox" and drawings from
his album "Scratchbook".

RETURN I WILL TO OLD BRAZIL – 4’- 2004 ( revised)

LAST TIME IN CLERKENWELL – 4’- 2007
This film shows what happened to the Royal Legion of birds from "Bathtime in
Clerkenwell" after they took over London and came to power. The Bird Empire
expands beyond the Earth boundaries and falls under unexpected circumstances.

THE ROYAL NIGHTMARE – 4’- 2008
This animated short tells a story of an Evil King, whose life is turned into a nightmare
by a pilgrim who constantly reappears by the Royal Tower and totally ignores The
King. Simplicity goes a long way in this short film, and it doesn’t get more simple
than this black-and-white royal farce in which a series of mishaps leads to death,
dismemberment and aliens.

RAGGED – 50”- 2009

MIDDLE CLASS HELL – 3’- 2010
This film is based on the song “Middle Class Hell” and original drawings by Jim
Avignon (aka Neoangin) from his album “Say hi to your neighbourhood”.

http://www.figlimigliproductions.com/

domingo, 29 de agosto de 2010

8 MUMIA - SPECIAL SCREENING MAX HATTLER


Max Hattler

German experimental animator and media artist Max Hattler studied at Goldsmiths and
the Royal College of Art in London. He has had solo exhibitions at Lumen Eclipse,
Media Art Friesland and Someonesgarden Tokyo, and retrospectives at Fredrikstad
Animation Festival and Branchage Jersey Film Festival. Max Hattler’s films screened
at hundreds of festivals and won awards at the London International Animation
Festival, Videofestival Bochum, Videologia, Darklight and 700IS, among others.
His films have been included in the touring programmes of the European Media Art
Festival, Videoformes, onedotzero, Resfest, The Animation Show, L’Alternativa,
Animac, AURORA, and the British Animation Awards. Max has made music videos
and tour visuals for several bands including Basement Jaxx and The Egg, and he
has performed live audio-visuals across Europe, the Americas and Japan, including
Cimatics, Filmfest Dresden, SuperDeluxe Tokyo, The Big Chill, Curtas Vila do Conde,
and London’s Institute of Contemporary Arts. Max lives and works in London and
Germany. He teaches at Goldsmiths College and at the University of East London and
is currently doing a Professional Doctorate in Fine Art. For more information please see
www.maxhattler.com


MAX HATTLER ABOUT HIS WORK
“I am interested in the space between abstraction and figuration, where storytelling is freed from the constraints of traditional narrative. My work contemplates microcosms, moments, atmospheres: Close-ups as reflections on the big picture. While my films tend to be without dialogue, they explore the relationship between sound, music and the moving image.”

WHAT OTHERS HAVE SAID ABOUT MAX AND HIS WORK
One of “three of the world’s most exciting young animators” (Dazed and Confused)
One of "Europe's most hotly tipped visual artists" (Metropolis Magazine, Japan)
“Max Hattler is one of my favourite experimental animators” (Directors Notes)
“his personal work is a revelation” (Institute of Contemporary Art, London)
“Current hot potatoe” (Time Out London)
“absorbing and metaphorical visual musings” (Dazed Digital)
“made important contributions to the development of the field of animation” (Camille
Selvon Abrahams, Animae Caribe Festival Director)
“Max is definitely one of the most original, startling animators around with
range of projects, commercial and high art” (Ian Lumsden, animationblog.org)
“With a style that blends clever use of audio with simple and metaphorically laden
visuals, his work really just rocks” (Run-Riot)
"... animator Max Hattler ... uses objects, cameras and computers to drag you into
another dimension through shape, colour, movement, sound, politics, pop culture, off-
key on-point observation and kaleidoscopic geometry. His live AV sets are good too."
Carla MacKinnon, Hot 110

PROGRAM
Alpraum (UK 2001, 5:00, sound: Alex Marten)
Everything Turns (UK 2004, 1:15, sound: Max Hattler)
Nachtmaschine (director’s cut, UK 2005, 2:30, music: Hellmut Hattler)
Collision (UK 2005, 2:30, sound: Max Hattler)
Striper v0.1 (UK 2006, 0:30, sound: Pablo Gav)
Mount Allen (UK/D 2007, 3:40, music: Economy Wolf)
Drift (UK/D 2007, 3:33, music: Mark Bowden)
Aanaatt (UK/D/JP 2008, 4:45, music: Jemapur)
Where's Your Head At (UK/D 2009, 6:00, music: Basement Jaxx)
1923 aka Heaven (DK/UK/D 2010, 1:50 loop, sound: Blak
1925 aka Hell (DK/UK/D 2010, 1:35 loop, sound: Adrian Dexter)
Spin (FR/UK/D 2010, 3:55, sound/music: Eclectic)